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週次 |
日期 |
單元主題 |
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第1週 |
2/22 |
Introduction; The Debate (Appropriation or Exchange?)
“A Reply to Richard Schechner” Asian Theatre Journal 1.2 (1984) by Bharucha
“A Reply to Rustom Bharucha” Asian Theatre Journal 1.2 (1984) by Richard Schechner
“A Collision of Cultures” Asian Theatre Journal 1.1 (1984) by Bharucha
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第2週 |
3/01 |
Brecht and his (mis)understanding of the Chinese Theatre
“Alienation Effects in Chinese Acting” and “The Street Scene” from Brecht on Theatre
“Alienation-Effect for Whom? Brecht’s (Mis)interpretation of the Classical Chinese Theatre, Asian Theatre Journal 14.2 (1997) by Min Tian
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第3週 |
3/08 |
Models of Intercultural Performance I.
“Toward a Topography of Cross-Cultural Theatre Praxis” The Drama Review 46.3 (2002) by Jacqueline Lo and Helen Gilbert
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第4週 |
3/15 |
Models of Intercultural Performance II.
“Introduction” in Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama by Christopher Balme
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第5週 |
3/22 |
Intercultural Performance from the Western point of view I.
“Eurasian Theatre” in The Intercultural Performance Reader by Eugenio Barba
“Around Theatre: The Orient—the Occident” in The Intercultural Performance Reader by Jerzy Grotowski
〈演出創作〉，〈歐亞劇場〉，〈歷史書寫〉，Eugenio Barba, Nicola Savarcse著，丁凡譯，《劇場人類學辭典》(臺北：臺北藝術大學、書林，2012)。
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第6週 |
3/29 |
Intercultural Performance from the Western point of view II
“Introduction: Towards a theory of interculturalism in theatre?” in The Intercultural Performance Reader by Pavis
“Interculturalism and the Culture of Choice” Richard Schechner interviewed by Patrice Pavis, in The Intercultural Performance Reader
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第7週 |
4/05 |
“Introduction” in The Politics of Cultural Practice by Rustom Bharucha
Multiculturalism
“Interculturalism and Its Discriminations” in The Politics of Cultural Practice by Rustom Bharucha
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第8週 |
4/12 |
張京媛，〈此與彼—愛德華．薩伊德的《東方主義》〉。張京媛編，《後殖民理論與文化認同》(臺北：麥田，1995)。
“Transculturating Transculturation” in Interculturalism and Performance by Diana Taylor
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第9週 |
4/19 |
Midterm |
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第10週 |
4/26 |
Case Study I
跨國合作：Robert Wilson 在臺灣的旗艦製作
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第11週 |
5/03 |
Case Study II
戲曲改編莎劇：《量度》
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第12週 |
5/10 |
Case Study III
戲曲改編莎劇：《艷后與他的小丑》
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第13週 |
5/17 |
Case Study IV
當代傳奇：《慾望城國》、《暴風雨》
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第14週 |
5/24 |
Globalization
“Here and Now” and “Disjuncture and Difference in the Global Cultural Economy” in Modernity at Large by Appadurai
Taylor, Charles. “Two Theories of Modernity.” Alternative Modernities. Ed. Dilip Parameshwar Gaonkar. Durham: Duke UP, 2001
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第15週 |
5/31 |
謝筱玫，〈跨文化之後：從《歐蘭朵》到《孟小冬 》〉。《戲劇研究》10 (2012.7): 139-62。
紀蔚然〈跨文化之正解與誤讀－台灣劇場改編西方正典之實驗意義〉林鶴宜、紀蔚然主編，《眾聲喧嘩之後：台灣現代戲劇論集》(台北:書林，2008)，頁51-72。
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第16週 |
6/07 |
林璄南，〈挪借《威尼斯商人》 : 試論《約/束》的改編策略與所引發的問題〉，戲劇學刊，2011.7，頁85-108。
廖咸浩，〈東方前衛�前衛東方：閱讀「跨國性」的多重視角〉，國際學術研討會論文集，第四屆，2007.12，頁22-26。
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第17週 |
6/14 |
Presentation |
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第18週 |
6/21 |
Final Paper due |